Review from Backstreets.com:
AUGUST 29: A FUNKY UPSTATE NEW YORK DIRT TRACKIf the spectacular Fenway 2 was a memorable first date with the person of one's dreams, Vernon Downs was at least as impressive a second date that made it clear that Bruce is a keeper.
"What a beautiful night — Jesus!" Bruce said as he stepped to the front of the stage on this cool, clear evening, just after the sun sank below the horizon behind the stage; a nearly full moon rose in the east behind the audience that stretched back across most of the infield of this racetrack in central New York State. "And we're off to the races!" Curt Ramm, trumpeting "The Call to the Post" (followed by a musical approximation of a whinnying horse), kicked things off for a wild night with two tour premieres.
Springsteen and the band were strong out of the gate with a solid "Out in the Street," during which he was out in the crowd, shaking hands and connecting with the audience, apparently eyeing the many signs that have reappeared on this secondU.S.leg. The next four songs were requests that came from some of those signs. First up was a killer, smoking version of "It's Hard to Be a Saint in the City" that had even the many first-timers in the audience who didn't recognize this early song whipped into a frenzy by its thunderous conclusion. The audience made a weak showing of the sing-along verse of "Hungry Heart," but it still made for a strong, energetic opening three.
But there was more: for those exhausted after that beginning there was no relief, because Bruce kicked it up a notch. "I don’t think we've played this yet — in honor of the racetrack," Bruce said, then slammed into the first of two tour premieres, the "Glory Days" B-side "Stand on It." A scorching "I'm a Rocker" followed, a River rarity played only once on this tour. And that's all before the first group of Wrecking Ball songs. After "Death to My Hometown," instead of moving right into "My City of Ruins" and the band intros as usual, he slipped in a beautiful "Darkness on the Edge of Town," a powerful interlude that worked very well after "Death."
Gathering a dozen or so signs from the audience, Bruce answered the question on one of them — "Can Frankie Come Out to Play?" — with a gorgeous, reworked intro to "Frankie," and a story about waiting for fireflies as a kid in the field across from his house. "Thousands of fireflies," he said, as the glows of thousands of cell phones lit up just like them on the big screen.
The big band, boogie-woogie version of "Open All Night" had the crowd jumping and swinging from the beginning, before Bruce brought the tempo down again with the three-quarter time waltz of "Jack of All Trades." That was followed by the show's second tour premiere, "Human Touch," with the absent Patti Scialfa's vocals covered by a strong female chorus. Down the midstretch, the audience was treated to, among other things, "Prove It All Night" with the blistering, '78-esque dueling guitar and piano intro, and a crowd favorite, "Backstreets," with the Dream Baby/Dry Your Eyes interlude reminiscent of (if not quite) "Sad Eyes."
If the crowd of many first-timers expected only a song or two for the encore, they must have been astonished that the homestretch consisted of seven songs, including a surprise appearance by "Rosalita," finishng strong with "Quarter to Three" (yet another Fenway 2 resonance) and "Twist and Shout."